Simón García-Miñaúr creates video installations and short fiction films that construct an opposition between two worlds. He uses religious and technological tropes to represent the ways in which relationships are fueled by faith and trust. His queer narratives explore the fringe; mobilizing cyborg figures to destabilize socially constructed binaries. Here, the promise of possibility and the dangerously delusional collide, unveiling oppositional yet enchanting worlds.