Since

Plastic chairs, camera and screen

We approach a maze of commonplace objects knowing what we are getting into: the joy of fear of getting lost and equally the opposite. It´s not that architecture does not exist, it’s a dominant background that carries a foreign, at times unnecessary ordering of present events, one we selfishly include.
There is still a sketch of a plan, even if it´s a measure of insurance in unpredictable situations. It´s not the plan that is insured. Works are documented for accountability not relatability and words change through usage, interpretation, interaction and representation.

Through exchange we discover: We are just mediating,

As a collaborative work, Sincere seeks new ground from Pratik Sagar´s site-specific interactive words and Kush Badhwar´s screen based work.