{"id":9991,"date":"2025-07-17T17:41:26","date_gmt":"2025-07-17T15:41:26","guid":{"rendered":"https:\/\/proyector.info\/?p=9991"},"modified":"2025-07-17T17:44:10","modified_gmt":"2025-07-17T15:44:10","slug":"landscapes-of-dissent","status":"publish","type":"post","link":"https:\/\/proyector.info\/en\/landscapes-of-dissent\/","title":{"rendered":"Landscapes of dissent"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Lide Billelabeitia<\/strong>&#8216;s<em> \u00c7iyay\u00ean Dur<\/em> and <strong>Fatima Bianchi<\/strong>&#8216;s<em> Les Dissidentes<\/em> are two pieces that, from distinct geographies and visual languages, trace a map of intimate and collective resistance. Both propose a critical reading of spaces\u2014natural, symbolic, and social\u2014as settings where tensions between memory, oppression, and autonomy are inscribed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In <em>\u00c7iyay\u00ean Dur, <\/em>the mountains of Iraqi Kurdistan become silent witnesses to a female narrative that traverses a landscape of disturbing beauty. Filmed in Super 8 and narrated in Basque, the piece distances itself from the traditional concept of &#8220;landscape&#8221; to explore an anti-landscape steeped in history, conflict, and displacement. The natural environment, far from neutral, reveals layers of contained violence, while the artist&#8217;s poetic gaze invites us to listen to what lies hidden behind the visible.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For its part, <em>Les Dissidentes<\/em> imagines an island where three dissident mothers are punished for defying the norms imposed on motherhood. In a space of symbolic confinement, their inner voices emerge as a form of resistance to social mandates that render exhaustion, desire, and discontent invisible. Bianchi constructs a narrative that, through fiction, exposes realities deeply rooted in everyday life.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Both works open fissures in dominant narratives: nature as a stage of silent war and motherhood as a trench of emotional struggle. In these landscapes of dissent, the female voice not only occupies space: it transforms it..<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lide Billelabeitia&#8216;s \u00c7iyay\u00ean Dur and Fatima Bianchi&#8216;s Les Dissidentes are two pieces that, from distinct geographies and visual languages, trace<\/p>\n","protected":false},"author":3,"featured_media":9997,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"event":[293],"venue":[237],"class_list":["post-9991","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","event-proyector2025-en","venue-sala-equis-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Landscapes of dissent - PROYECTOR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/proyector.info\/en\/landscapes-of-dissent\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Landscapes of dissent - PROYECTOR\" \/>\n<meta property=\"og:description\" content=\"Lide Billelabeitia&#8216;s \u00c7iyay\u00ean Dur and Fatima Bianchi&#8216;s Les Dissidentes are two pieces that, from distinct geographies and visual languages, trace\" \/>\n<meta property=\"og:url\" content=\"https:\/\/proyector.info\/en\/landscapes-of-dissent\/\" \/>\n<meta property=\"og:site_name\" content=\"PROYECTOR\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/proyectorvideoartfestival\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-07-17T15:41:26+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-07-17T15:44:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/proyector.info\/wp-content\/uploads\/2025\/07\/CIYAYEN-DUR-ZINEBI.00_03_36_03.Imagen-fija013.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1490\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Proyector\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@PROYECTOR_fest\" \/>\n<meta name=\"twitter:site\" content=\"@PROYECTOR_fest\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Proyector\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/proyector.info\\\/en\\\/landscapes-of-dissent\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/proyector.info\\\/en\\\/landscapes-of-dissent\\\/\"},\"author\":{\"name\":\"Proyector\",\"@id\":\"https:\\\/\\\/proyector.info\\\/en\\\/#\\\/schema\\\/person\\\/abb9cea99db07dc7170b42812f98cad5\"},\"headline\":\"Landscapes of dissent\",\"datePublished\":\"2025-07-17T15:41:26+00:00\",\"dateModified\":\"2025-07-17T15:44:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/proyector.info\\\/en\\\/landscapes-of-dissent\\\/\"},\"wordCount\":230,\"publisher\":{\"@id\":\"https:\\\/\\\/proyector.info\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/proyector.info\\\/en\\\/landscapes-of-dissent\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/proyector.info\\\/wp-content\\\/uploads\\\/2025\\\/07\\\/CIYAYEN-DUR-ZINEBI.00_03_36_03.Imagen-fija013.jpg\",\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/proyector.info\\\/en\\\/landscapes-of-dissent\\\/\",\"url\":\"https:\\\/\\\/proyector.info\\\/en\\\/landscapes-of-dissent\\\/\",\"name\":\"Landscapes of dissent - 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