{"id":21909,"date":"2026-04-28T14:38:40","date_gmt":"2026-04-28T12:38:40","guid":{"rendered":"https:\/\/proyector.info\/?p=21909"},"modified":"2026-04-28T15:37:07","modified_gmt":"2026-04-28T13:37:07","slug":"comisariados-internacionales","status":"publish","type":"post","link":"https:\/\/proyector.info\/en\/comisariados-internacionales\/","title":{"rendered":"Comisariados Internacionales"},"content":{"rendered":"\n

Auditorio El \u00c1guila<\/strong>

En ellas se muestran distintos comisariados de Festivales de relevancia internacional que forman parte de la RED PROYECTOR y colaboran con el Festival a trav\u00e9s de intercambio de contenidos.

Heure Exquise!<\/strong><\/a> (fra), Claudia Aravena<\/strong> (chi), VISUAL CONTAINER <\/strong><\/a>(ita), FONLAD <\/strong><\/a>(por)
09 SEP 2017<\/strong>
17h. Presentaci\u00f3n de los comisarios de la red internacional de PROYECTOR. Presentaci\u00f3n del libro \u201cVisiones Laterales\u201d por Claudia Aravena (chi).
17.30-19.30h Proyecciones\u00a0Heure Exquise!<\/strong><\/a> (fra), Claudia Aravena<\/strong> (chi), VISUAL CONTAINER <\/strong><\/a>(ita), FONLAD <\/strong><\/a>(por)
19.30-20.30h Videoarte larga duraci\u00f3n: Felicita\u00e7\u00f5es Madame (por)

10 SEP 2017<\/strong>
17.30-19.30h Proyecciones\u00a0Heure Exquise!<\/strong><\/a> (fra), Claudia Aravena<\/strong> (chi), VISUAL CONTAINER <\/strong><\/a>(ita), FONLAD <\/strong><\/a>(por)
19.30-20.30h. Videoarte larga duraci\u00f3n: UMA (por\/esp)<\/p>\n\n\n\n

\n\n\n\n

HEURE EXQUISE!<\/h2>\n\n\n\n

Jean-Gabriel P\u00e9riot <\/strong>(fra)
Les barbares\/The Barabarians
5:00
2010

If politics were to come back, it could only be from its savage and disreputable fringe. Then, a muffled rumor shall arise whence that roar is heard: \u00abWe are scum! We are barbarian!\u00bb (Alain Brossat)

V\u00e9ronique Sapin <\/strong>(fra)
Je tourne mon visage vers vous
5:25
2014

My name is Human Being. I have the right to choose everything in my life; just like you; because it\u2019s only natural. ISN\u2019 T IT ? That\u2019s why I am turning my face towards you with complete confidence.
V\u00e9ronique Sapin chose to speak about one of these acts which drive humanity to regress towards the animal: the acid attack.  1,500 cases are recorded around the world every year. However that is likely to be massively underreported. Most victims are fearful to report it to the police for fear of reprisal. The acid attacks are increasing.

Mounir Fatmi <\/strong>(fra)
Manipulations
6:50
2014

Manipulations (2004) deals with visual comparison in the form of a subtle insertion, as fleeting as a shot (its appearance and duration) as it is monumental as a motif (its symbolic content). In close up, a man\u2019s hands hold a Rubik cube, and instead of becoming organized in green blue, red and yellow areas, this cube becomes totally black, all of a sudden an image of the Kaaba, around which mills the huge throng of pilgrims, slips in between shots. The hands become covered with a black substance which seems to liquefy the cube (name of the \u00abRubik\u00bb and French translation of \u00abkaaba\u00bb), the hands become gloved in this opaque blackness, the substance even soils the walls, like fuel oil smothering birds on beaches, and bogging the Gulf states down in their politics.

Jean-Gabriel P\u00e9riot<\/strong> (fra)
Eut-elle ete criminelle
9
2006

France, summer1944. At the end of the war, french people shaved the hairs of women supposed to have affair with Germans.


Pascal Li\u00e8vre 200<\/strong> (fra\/can)
L\u2019axe du mal
5:50
2003

A text by George W.Bush quoted in the newspaper \u00abLe Monde\u00bb, dated January 31 2002,
\u00bb An axis of evil, arming to threaten the peace of the world\u00bb is sung to the music of the song \u00aband when the rain begins to fall\u00bb originally performed by Jermaine Jackson and Pia Zadora.

Nathalie Bujold and Pascal Li\u00e8vre are the interpreters of this video which draws its inspiration from video-clip art and expresses the improbable crossover between this theo-geo-political text with the language of love.
The two actors are filmed in front of the Niagara Falls, a highly symbolical place for honeymoons, and they declare their love using the very words of Mr. Bush declaring war on terrorism.<\/p>\n\n\n\n

\n\n\n\n

VISUAL CONTAINER<\/strong><\/h2>\n\n\n\n

Matteo Pasin <\/strong>(ita)
Weltanschauung \u2013 Il mondo come volont\u00e0 di rappresentazione
5:50
2016<\/p>\n\n\n\n

Alessandra Caccia<\/strong> (ita)
Dreammachine
05:16
2015<\/p>\n\n\n\n

Rita Casdia<\/strong>(ita)
Animal
3:20
2016<\/p>\n\n\n\n

Antonello Matarazzo<\/strong>(ita)
Your Body is Your Buddha
3:40
HDV 2014<\/p>\n\n\n\n

Elisabetta di sopra <\/strong>(ita)
Dipendenza Sensibile
3:05
2016<\/p>\n\n\n\n

Lucia Veronesi<\/strong>(ita)
Fuori, una gran notte di stelle
4:00
2016<\/p>\n\n\n\n

\n\n\n\n

FONLAD<\/h2>\n\n\n\n

A mostra que se apresenta a convite da dire\u00e7\u00e3o do Festival Proyector incide substancialmente sobre a arte da v\u00eddeo performance, na qual a a\u00e7\u00e3o do corpo promove o questionamento do ser vivo no espa\u00e7o social e pol\u00edtico em que vivemos.

Na sua 12\u00aa edi\u00e7\u00e3o o festival Fonlad prossegue a sua miss\u00e3o de promo\u00e7\u00e3o da v\u00eddeo arte e \u00a0da performance, \u00a0atrav\u00e9s da sua apresenta\u00e7\u00e3o em variados meios, seja atrav\u00e9s de mostras e instala\u00e7\u00f5es, palestras e workshops, espet\u00e1culos multim\u00e9dia e performances.\u00a0

Comiss\u00e1rios: Jos\u00e9 Vieira e S\u00e9rgio Gomes
www.fonlad.net<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

FENIA KOTSOPOULOU<\/strong>\u00a0(gre)
Dis)remembering
2:13
2014

An autobiographical video linked to the problematic but still intimate relationship with my father and the memories encompassed with it; the need to preserve them lead to the creation of an archive that became \u00a0the \u00a0cornerstone \u00a0of the \u00a0project \u00a0and \u00a0was \u00a0seen \u00a0as a material \u00a0and \u00a0metaphorical \u00a0mechanism speaking about power, and about maintaining power, about the power of the present to control what is, and will be, known about the past, about the power of remembering \u00a0over forgetting. It could be considered: an exploration of other ways of experiencing the present, and thus of viewing the past; a sort of autobiography where words aren\u2019t necessary; \u00a0a sort of diary where \u00a0my body becomes \u00a0the messenger \u00a0of thoughts \u00a0and feelings; \u00a0where \u00a0Real and Imaginary are blended a sort of conglomerated visual traces of a confrontation with my past; a bunch of pixels becoming a digital letter with only receiver: my father Blog of project: feniak.wix.com\/disremembering \u00a0Fenia Kotsopoulou born in Athens, Greece in 1981. Lives and Works in Lincoln\/UK. Master Fine Arts in Choreographing Live Art by )University of Lincoln.\u00a0
Fenia \u00a0is \u00a0(dance) \u00a0performer, \u00a0producer \u00a0and \u00a0visual \u00a0practitioner, \u00a0her \u00a0works \u00a0and \u00a0the \u00a0work \u00a0of close.


APOTROPIA<\/strong>\u00a0(ita)
Kiss
1:11
2016

A contact between two bodies. An intense sharing of information. A chemical cocktail in the brain. The Kiss is an audiovisual work that explores a simple gesture acted out between two lovers.
A work by APOTROPIA\u2028
Performed by Antonella Mignone, Cristiano Panepuccia
Music: Cristiano Panepuccia \u00ab


FILOMENA \u00a0RUSCIANO<\/strong>\u00a0(ita)\u00a0
Hiden Tracks
5:18
2014

Signs at the border caught only by a careful look waiting. Footprints left by silent, emerge on the surface of the body to form an image map; an echo of past emotional. Weaving gesture reveals the physical permeability and seeks suspended traces that cloaks the daily life.\u00a0Imperceptible sedimented noise.
Filomena \u00a0Rusciano \u00a0born \u00a0in \u00a0Pozzuoli, \u00a0Italy \u00a0 \u00a0in \u00a01979. \u00a0Lives \u00a0and \u00a0Works \u00a0in \u00a0Naples. \u00a0Is \u00a0Degree in \u00a0Physical education by I.s.e.f. of Naples.Exhibits \/ work at the level of media, video art regularly since 2013.\u00a0


YAO CONG\u00a0<\/strong>(uk)\u00a0
Under Blue
6:38
2015

Under \u00a0Blue \u00a0explores \u00a0gender \u00a0politics \u00a0through \u00a0beauty, \u00a0pleasure, \u00a0disgust, \u00a0danger, \u00a0violence, \u00a0the \u00a0erotic \u00a0and \u00a0the \u00a0artificial, \u00a0imparting \u00a0an \u00a0uneasy \u00a0feeling \u00a0of \u00a0voyeuristic \u00a0power \u00a0to \u00a0the \u00a0viewer. \u00a0\u00a0
Under \u00a0Blue \u00a0broadly \u00a0speaking \u00a0fits \u00a0into \u00a0the \u00a0performance \u00a0and \u00a0body \u00a0art \u00a0trend \u00a0in \u00a0video \u00a0art, \u00a0but \u00a0its \u00a0 exclusive \u00a0use \u00a0of \u00a0close \u00a0ups \u00a0and \u00a0the \u00a0effect \u00a0of \u00a0not \u00a0really \u00a0understanding \u00a0what \u00a0we\u2019re \u00a0looking \u00a0at. \u00a0 \u00a0In \u00a0 the \u00a0work, \u00a0the \u00a0fragmented \u00a0body, \u00a0color \u00a0and \u00a0textures \u00a0appear \u00a0between \u00a0real \u00a0and \u00a0surreal, \u00a0our \u00a0 attention \u00a0to \u00a0those \u00a0colors \u00a0and \u00a0textures \u00a0is \u00a0greatly \u00a0rewarded, \u00a0even \u00a0as \u00a0we \u00a0understand \u00a0the \u00a0context \u00a0 even \u00a0less.
Yao \u00a0Cong \u00a0born \u00a0in \u00a0Xi\u2019an, \u00a0China, \u00a0in \u00a01992. \u00a0 Major \u00a0events: VIDEONALE.16, \u00a0Kunstmuseum \u00a0Bonn, \u00a0Germany, \u00a02017; Pleasure \u00a0in \u00a0Progress, \u00a0Espronceda \u00a0art&culture \u00a0centre, \u00a0Barcelona, \u00a0Spain \u00a0(solo \u00a0exhibition, 2016);; \u00a0the \u00a0Bedlam \u00a0Film \u00a0Festival, \u00a0the \u00a0Edinburgh \u00a0Fringe, \u00a0Edinburgh, \u00a0UK, \u00a02016;; \u00a0 OFF \u00a0THE \u00a0WALL, \u00a0Arts+Literature \u00a0Laboratory, \u00a0Madison, \u00a0Wisconsin, \u00a0USA, \u00a02016


FRANK MCCAULEY<\/strong>\u00a0(usa)
Welter \/ Wallow
3:50
2016

Welter\/Wallow\u00bb\u00bb explores a fascination with the relationships between private and public, reality and fiction, and the dynamic interplay between the individual and structures or masses. This work investigates the distortions of language and logic, by looking at ways in which technology can influence perception. Taking the figure as subject, it is put through a process in which its features are distorted, suppressed, or intensified in the service of expressing something beneath or behind the observable surface. That is, something that is best implied in the slippage between the recognizable and what is unexplained or mysterious.
Frank McCauley was born in Jacksonville, FL in 1980. Upon receiving his BFA in painting from Winthrop University in 2003, he moved north to Syracuse, NY where he attended Syracuse University and received his MFA in 2008. Frank has been the Director and Curator for Spark Contemporary Art Space in Syracuse, NY, the Assistant Director and Chief Curator for the Sumter County Gallery of Art, and is currently the Assistant Curator and Exhibitions Coordinator for VisArts in Rockville, MD. As an artist he has been in numerous group exhibitions both nationally and internationally and has had solo exhibitions in CA, NY, SC as well as South America.\u00bb


FRANCESCA LOLLI<\/strong>\u00a0(ita)
The Dying Lillium
3:27
2016

The video performance is the transposition of men sacking Mother Nature.
Francesca \u00a0Lolli, \u00a0born \u00a0in Umbertide \u00a0(Perugia), \u00a0Italy in 1976. \u00a0She live and work \u00a0between \u00a0Roma \u00a0and Milano. After graduating at \u2018Teatro Arsenale\u2019 as an actress she attended the \u2018Accademia di Belle Arti di Brera\u2019 of Milano, graduating as a scenographer. \u00a0At the moment she\u2019s taking a course of filmmaker at Centro di Formazione Cinematografico \u00a0Nazionale in Roma. She exhibit works at the level of video art and performances regularly since 2013. Major exhibitions \/ events: FONLAD\u00a0The \u00a0International \u00a0Video \u00a0art \u00a0and \u00a0Performance \u00a0Festival, \u00a0Coimbra, \u00a0Portugal, \u00a02013; \u00a027es INSTANTS VIDEO, Marselha, France, 2014; 56th Venice Biennal (Tibet Pavilion, parallel event), Venice, Italy, 2015; VAFA -\u00ad Videoart for all, Macau -\u00ad\u2010 \u00a0 China (2016); Time is Love 10 \u2013 worldwide festival, 2017.


KRISTINA PAUSTIAN<\/strong>\u00a0(Ru)
Positions
8:22
2016

The work Positions shows uniformed, armed women in a pose of defense against the background of a sunny skyline. The camera brings the viewers very close to the protagonists and allows them to watch the situation securely. The viewer lingers in this state -\u00ad\u2010 \u00a0 at times in sight of the women, at times\u00a0among them. The real action is dislocated outside the visible region, so that one can only guess what\u00a0happens in the protagonists\u2019 reld of vision.
Positions is a study of the posture, the role assignments and their fulrllment. Thereby the work does not aim so much at a statement about self-\u00ad\u2010defense against a particular person or group of people, but rather at a resistance to structures, systems or normative gender concepts; an ongoing struggle and celebration of an aesthetic of contradictions.
Kristina Paustian, born 1985 in Omsk in Russia, currently lives and works in Berlin. 2003 she moved to Germany to study at the University of the Arts in Berlin. She worked as DoP and editor for several video artists before starting out as an artist herself.\u2028Today Paustian\u2019s artistic practice covers video,\u00a0rlm and installation. Her works are part of international media art festivals & exhibitions.)<\/p>\n","protected":false},"excerpt":{"rendered":"

Auditorio El \u00c1guila En ellas se muestran distintos comisariados de Festivales de relevancia internacional que forman parte de la RED<\/p>\n","protected":false},"author":1,"featured_media":21910,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"event":[885],"venue":[783],"class_list":["post-21909","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","event-proyector-2017-es","venue-el-aguila-es"],"yoast_head":"\nComisariados Internacionales - PROYECTOR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/proyector.info\/comisariados-internacionales\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Comisariados Internacionales - PROYECTOR\" 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