Azul and Lindy M\u00e1rquez are two visual artists born in Bogot\u00e1, Colombia.<\/p>\n\n\n\n
\u00abFrom before we are born we have been together and together we create a series of gestures that expose our relationship with memory and forgetting and the certainty that childhood does not end.\u00bb The ancestral lines cannot be broken. Outside of them there is no childhood. Outside of them there can be no true dreams. The river flows, it changes continuously, it moves continuously, but it is always a river. Now, before, after. This is the line that unites us (\u2026), because outside the physical there is an intact filament. You can\u2019t see it, but you can feel it. You can call it \u00abnature.\u00bb So what is nature but the execution of a master plan? \u00abViola, Bill. (1995). Reasons for Knocking at an Empty House. Cambridge: London. The MIT Press; Anthony d\u2019Offay. Gallery, p. Notes. \u00ab\u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"
Azul and Lindy M\u00e1rquez are two visual artists born in Bogot\u00e1, Colombia. \u00abFrom before we are born we have been<\/p>\n","protected":false},"author":1,"featured_media":18263,"template":"","meta":[],"person_cat":[98,217],"person_tag":[1047,1056],"class_list":["post-18264","person","type-person","status-publish","has-post-thumbnail","hentry","person_cat-artist","person_cat-visual-arts","person_tag-2015-es","person_tag-festival-2015-es"],"yoast_head":"\n