Visual artist, curator, teacher in Argentina and abroad. She is co-director of the Biennial of the Moving Image (BIM) and of CONTINENTE, Research Center in Audiovisual Arts of the National University of Tres de Febrero. She is also the curator of El Cine es Otra Cosa, an experimental film and video series at the Museum of Modern Art in Buenos Aires. She completed his undergraduate studies at the University of Cinema and a Master in Hypermedia at the Universit\u00e9 Paris VIII, Paris, France.
She is a tenured professor in the Electronic Arts Degree and in the Master of Technology and Aesthetics of Electronic Arts at the National University of Tres de Febrero, at the Universidad del Cine and at the Maimonides University.<\/p>\n\n\n\n
She works on video, installations and site specific interventions. His works fundamentally raise questions related to memory, identity and the world of work.<\/p>\n\n\n\n
She was an artist in residence at the Banff Center for the Arts, Canada; at the Center International de Cr\u00e9ation Vid\u00e9o Pierre Schaeffer, France; at the Kunsthochschule f\u00fcr Medien, Germany; at the Schloss Balmoral, Germany; at the Wexner Center for the Arts, United States; at the Universit\u00e9 de Qu\u00e9bec \u00e0 Montr\u00e9al, Canada; at the Chambre Blanche, Quebec, Canada; at the Red Bull House of Art, S\u00e3o Paulo, Brazil, and at Le Centquatre, Paris, France.<\/p>\n\n\n\n
Her works received various awards, among others: Estado da Arte, at the 21st Biennial of Contemporary Art Sesc_Videobrasil; BA Specific Site, 2014, Luis Espinal-Mostra CineTrabalho Award, Brazil, 2011; Ars Electronica, 80 + 1 Project (for ARRORR\u00d3 project), 2009; Sigwart Blum Award from the Argentine Art Critics Association, 2007; Media Art Award from the Zentrum f\u00fcr Kunst und Medientechnologie (ZKM), Germany, 2004; First Prize in the National Salon of Visual Arts, 2003; First Prize Videobrasil, 2003; Videoformes Festival Grand Prize, France, 2003, and Tokio Video Award, Japan, 2002.<\/p>\n\n\n\n
Its exhibitions include: 2019: 21st Biennial of Contemporary Art Sesc_Videobrasil, Sao Paulo, Brazil; Immediately after and shortly before, Bienalsur, City of Buenos Aires, Argentina; Recovering stories, recovering wishes, Bienalsur, City of Buenos Aires, Argentina; State of Situation, Centro Cultural Conti, City of Buenos Aires, Argentina; Conversation Piece, MacroAsilo \u2013 Museo d\u2019Arte Contemporanea di Roma; Canto al trabajo, El Obrador, Buenos Aires, Argentina; Video errant, Miguel Urrutia Art Museum (MAMU), Bogot\u00e1, Colombia 2018: State (s) of Emergency, Pa\u00e7o das Artes, San Pablo, Brazil; Artists \u2019Film International, PROA, Buenos Aires, Argentina; Post-Colonial Frames \/ Landing Americas, B # side War, International Art Festival on xx Century Conflicts, Treviso, Italy; The future of memory, Parque de la Memoria, Buenos Aires, Argentina. 2017: Jakarta Biennial, Indonesia; Artist \u2019Film International, Gabriela Golder and Wojciech Bakowski, Whitechapel Gallery, London, England; The look that separates from the arms, BIENALSUR, Haroldo Conti Cultural Center, Buenos Aires, Argentina; Pacific Standard Time: LA \/ LA, Video Art in Latin America, LAXART, United States; Disasters of Peace, The Horse Hospital, London, England; The center in motion, Centro Cultural Kirchner, Buenos Aires, Argentina. 2016: Gabriela Golder, Dazibao, Montreal, Canada; The earth trembles, Recoleta Cultural Center, Buenos Aires, Argentina; Your subversives: les traces des hommes, Hall Partage, Metz, France; Dissonance, Getty Center, Los Angeles, United States; Aires de familia, Nube Gallery, Santa Cruz de la Sierra, Bolivia. 2015: When the Southern Cross speaks, G\u00f6teborg International Biennial for Contemporary Art, Sweden; My Buenos Aires, La Maison Rouge, Paris, France; Foreign spaces. Lugares propios, MARQ, Buenos Aires, Argentina; Experiments in Cinema, Albuquerque, Estados Unidos; Feelings, Beaver Hall Gallery, Toronto, Canad\u00e1; Territorios de desastre, EAC, Montevideo, Uruguay. 2014: Multitude, Sesc Pomp\u00e9ia, San Pablo, Brasil; Entre Tiempos\u2026 La Colecci\u00f3n Jozami en el Museo L\u00e1zaro Galdiano, Madrid, Espa\u00f1a; The Progress Trap, DEAF, Rotterdam, Holanda; Ensayos iluminados, Muntref, Buenos Aires, Argentina. 2013: Panoramas do Sul, Videobrasil, San Pablo, Brasil; Monitoring, Kassel, Alemania; Women commentators, Center for Contemporary Art Ujazdowski Castle, Varsovia, Polonia; In the Country of Last Things, Museo de Arte Contempor\u00e1neo de Lima, Per\u00fa; Conversation Piece, Casa Mari\u00e1tegui, Lima, Per\u00fa. 2012: Recorridos, Centro Cultural Recoleta, Buenos Aires, Argentina; Mediations Biennale, Poznan, Polonia; Care Crisis, Futura Centre for Contemporary Art, Praga, Rep\u00fablica Checa. 2011: 10th Sharjah Bienal, Emiratos \u00c1rabes Unidos; Radical Shift. Politische und soziale Umbr\u00fcche in der kunst Argentiniens seit den 60er Jahren, Museum Morsbroich, Leverkusen, Alemania; Time | Behind the Vision, Praxis International, Miami, Estados Unidos. 2010: On ne se moque pas de la mort, Le 104, Par\u00eds, Francia; Habitada, La Llotgeta, Valencia, Espa\u00f1a; Tales of resistance and change, Frankfurter Kunstverein, Frankfurt, Alemania; Inconsciente \u00f3ptico, Galer\u00eda 713, Buenos Aires, Argentina; Mujeres. 1810-2010, Casa del Bicentenario, Buenos Aires, Argentina. 2009: X Bienal de La Habana, Cuba; Arrorr\u00f3, Ars Electronica, Linz, Austria; Kunst Direkt, Mainz, Alemania; Tragicomedia, CajaSol, Sevilla, Espa\u00f1a.<\/p>\n","protected":false},"excerpt":{"rendered":"
Visual artist, curator, teacher in Argentina and abroad. She is co-director of the Biennial of the Moving Image (BIM) and<\/p>\n","protected":false},"author":1,"featured_media":15266,"template":"","meta":[],"person_cat":[98,764,585,217],"person_tag":[1046,1055],"class_list":["post-15267","person","type-person","status-publish","has-post-thumbnail","hentry","person_cat-artist","person_cat-curatorship","person_cat-teaching","person_cat-visual-arts","person_tag-2021-es","person_tag-festival-2021-es"],"yoast_head":"\n