{"id":10013,"date":"2025-07-18T10:16:02","date_gmt":"2025-07-18T08:16:02","guid":{"rendered":"https:\/\/proyector.info\/profile\/irit-batsry\/"},"modified":"2025-12-01T23:11:38","modified_gmt":"2025-12-01T22:11:38","slug":"irit-batsry","status":"publish","type":"person","link":"https:\/\/proyector.info\/en\/profile\/irit-batsry\/","title":{"rendered":"Irit Batsry"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Irit Batsry is an artist working mainly in video and installations. Her work has been shown extensively in 35 different countries. She was awarded the prestigious Whitney Biennial Bucksbaum Award (2002) given to \u201can artist whose work demonstrates a singular combination of talent and imagination \u2013 a person who promises to make a significant contribution to the visual arts\u201d. She received the Guggenheim Foundation Fellowship in 1992 and the Grand Prix Video de Cr\u00e9ation of the Soci\u00e9t\u00e9 Civile des Auteurs Multimedia, Paris (1996 and 2001) as well as many prizes including: Grand Prix \u2013 Locarno 90 and 95, First Prize \u2013 Vigo 94 and 01 First Prize \u2013 the Australian Video Festival 89, First prize \u2013 San Francisco Poetry Film Festival 89.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Selected shows include the National Gallery in Washington, the National Film Theater and the ICA (London), Reina Sofia Museum (Madrid), Museu d\u2019Arte Moderna (Rio), Ludwig Museum (Koln), Tel Aviv Museum, Artists Space, the Whitney and the MOMA in NYC. In 2006 the Jeu de Paume in Paris organized a retrospective of her videotapes (1981-2006).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Her videotapes were acquired by museums and selected for international festivals including Rio 87,90, Berlin 88,90,92,96, London 87,91,96, 00, Montr\u00e9al 87,88,94,96,97, Bonn 86,88,90,92,94, 96, Geneva 89,91,93,95, Oberhausen 92,96, and Rotterdam 2000.<br>Selected broadcasts include PBS (Channel 13, KQED), La Sept, WDR and ARTE.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">F E L L O W S H I P S and AWARDS (selection)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Civitella Ranieri Foundation Fellowship, Italy, 2012<br>Whitney Museum Biennial Bucksbaum Award, fellowship, NYC , 2002<br>New York Foundation For The Arts, fellowship, NYC, 2002<br>Daniel Langlois Foundation for Art, Science and Technology, fellowship, Montreal, 1999<br>John Simon Guggenheim Memorial Foundation, Fellowship, NYC, 1992<br>Jerome Foundation, Fellowship, 1990<br>Grand Prix Video de Cr\u00e9ation, (These Are Not My Images), La SCAM (Soci\u00e9t\u00e9 Civile des Auteurs Multimedia), Paris, France, 2001<br>First Prize (These Are Not My Images),&nbsp; Intl. Video Festival,Vigo, Spain, 2001<br>Grand Prix Video de Cr\u00e9ation, (Scale), La SCAM (Soci\u00e9t\u00e9 Civile des Auteurs Multimedia), Paris, France, 1996<br>First Prize (Scale), 15th Videoart Festival, Locarno, Switzerland 1995<br>Polish Television Award, (Traces of a Presence to Come), Wroclaw, Poland 1995<br>Fisrt Prize (shared, Traces of a Presence to Come), V Itl.Video Festival,Vigo, Spain 1994<br>Szellemkep Award, (A Simple Case of Vision), Mediawave Festival, Hungary 1992<br>Award for Best Artistic Contribution, (A Simple Case of Vision) Muestra Internacional de Video, Cadiz, Spain, 1991<br>Grand Prix, (shared, Leaving The Old Ruin) 11th Videoart Festival, Locarno, 1990<br>Best International tape, (Leaving The Old Ruin), Australian Video Festival, Sydney, 1989<br>First Prize, (Leaving The Old Ruin) Poetry Film festival, San Francisco, 1989<br>Best of The Festival, (Stories From the Old Ruin) New Images in Video, Stamford, NY, 1987<br>Second Prize, (Stories From the Old Ruin) Poetry Film Festival, San Francisco, 1987<br>Golden Classic Award, (Stories From the Old Ruin), Columbus Video Festival, Ohio, 1986<br>Bezalel Academy of Art, Department Award for outstanding Achievements, Jerusalem, 1983<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A R T I S T&nbsp; &nbsp; I N&nbsp; &nbsp; R E S I D E N C E<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Carpe Diem Arte e Pesquisa, Lisbon, Portugal, 2012<\/li>\n\n\n\n<li>The Experimental TV Center, Owego, NY , 1985 \u2013 2001<\/li>\n\n\n\n<li>Whitney Museum of American Art, NYC,\u00a0 2002 -2004<\/li>\n\n\n\n<li>The Biosphere, Montreal, 1999 \u2013 2002<\/li>\n\n\n\n<li>Academy of Media Arts, Cologne, Germany, 1993 \u2013 2000<\/li>\n\n\n\n<li>Cit\u00e9 International des Arts, Paris, France, 1994,\u00a0 1996<\/li>\n\n\n\n<li>Centre International de Creation Video Montbeliard Belfort, France, 1992 \u2013 1993<\/li>\n\n\n\n<li>Visual Studies Workshop, Rochester, NY,1989<\/li>\n\n\n\n<li>Video Synthesis Studio, Film Video Arts, NYC, 1988<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">G R A N T S<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The New York State Council on the Arts, 2004<\/li>\n\n\n\n<li>The New York State Council on the Arts, 1999<\/li>\n\n\n\n<li>Finishing Funds, The Experimental TV Center, Owego, 1999<\/li>\n\n\n\n<li>D\u00e9l\u00e9gation aux Art Plastique, Minist\u00e8re de la Culture, France, 1996<\/li>\n\n\n\n<li>Delegation aux Art Plastique, Minist\u00e8re de la Culture, France, 1992<\/li>\n\n\n\n<li>The New York State Council on the Arts, Distribution Grant, 1991<\/li>\n\n\n\n<li>Art Matters Grant, NYC, 1989<\/li>\n\n\n\n<li>Harvestworks, Audio Post Production Grant, NYC\u00a0\u00a0\u00a0 , 1989<\/li>\n\n\n\n<li>The Israel-American Foundation, Special Grant, 1983<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">C U R I C U L U M&nbsp; V I T A E<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Independent visual artist, 1983 \u2013 present<\/li>\n\n\n\n<li>Instructor and On-Line Editor, Film\/Video Arts, NYC 1984 \u2013 1991<\/li>\n\n\n\n<li>Instructor, Bezalel Academy of Art, Jerusalem 1983<\/li>\n\n\n\n<li>Post Graduate Certificate in Video, Bezalel Academy of Art, Jerusalem 1983<\/li>\n\n\n\n<li>B. F. A. with Honors, Bezalel Academy of Art, Jerusalem\u00a0\u00a0\u00a0 1982<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">S O L O&nbsp; E X H I B I T I O N S (selection)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Seeing What is Left, kupferman collection Foundation, Lochamei Hagetaot, Israel, 2016<\/li>\n\n\n\n<li>Casal Solleric, Irit Batsry: Video Retrospective, Palma de Mallorca, Spain, 2014<\/li>\n\n\n\n<li>Aut Aut Arte Contemporanea, Screen, Rio de Janeiro, Brazil 2013<\/li>\n\n\n\n<li>Carpe Diem Art and Research, Warning Palace and The Yellow Line, Lisbon, Portugal 2013<\/li>\n\n\n\n<li>Herzliya Biennial of Contemporary Art, Beit Mani, Warning House, Tel Aviv, Israel 2011<\/li>\n\n\n\n<li>Centre d\u2019art contemporain Le parvis, La ligne jaune (suite), Ibos,France 2007<\/li>\n\n\n\n<li>Jeu de Paume, Irit Batsry : retrospective \u2013 videotapes 1981-2006, Paris\u00a0\u00a0\u00a0 France 2006<\/li>\n\n\n\n<li>The Museum of Modern Art, These Are Not My Images, New York, USA 2004<\/li>\n\n\n\n<li>Whitney Museum of American Art, Irit Batsry: Set, USA 2003<\/li>\n\n\n\n<li>Fuller\u2019s Flow, The Biosphere, Montreal, Canada 2002<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">G R O U P&nbsp; E X H I B I T I O N S (selection)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The New Museum, \u201cStaring Back at the Sun\u201d, New York, NY, 2016<\/li>\n\n\n\n<li>Tweed Museum of Art, \u201cA Flow of Ideas\u201d, Minnesota, USA 2009<\/li>\n\n\n\n<li>The Armory Center for the Arts, At Home in the World, Pasadena, USA 2006<\/li>\n\n\n\n<li>Fondazione Sandretto Re Rebaudengo, These Are Not My Images As part of Visione in Viaggio, Torino, Italy 2004<\/li>\n\n\n\n<li>Fondazione Ragghianti, L\u2019Arte de Vid\u00e9o \u2013 Il viaggio de ll\u2019uomo immobile, Lucca, Italy. 2004<\/li>\n\n\n\n<li>Kunstfilm Bienale Koln, These Are Not My Images, Museum Ludwig, Germany, 2003<\/li>\n\n\n\n<li>The Whitney Museum Biennial, New York City, USA 2002<\/li>\n\n\n\n<li>Daejeon Muncipal Museum of Art,<\/li>\n\n\n\n<li>\u201c2002 Media Art Daejeon \u2013 New York: Special Effects\u201d,\u00a0 Korea 2002<\/li>\n\n\n\n<li>Guggenheim Museum, \u201cVideo\/Je Vois\u201d, Bilbao, Spain 2001<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">B I B L I O G R A P H I E (selection)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>A Decade in Conversation:<\/li>\n\n\n\n<li>A Ten-Year Celebration of The Bucksbaum Award, 2000-2010:<\/li>\n\n\n\n<li>With Interviews with Paul Pfeiffer, Irit Batsry, Raymond Pettibon, Omer Fast,<\/li>\n\n\n\n<li>Chrissie Iles, Christiane Paul, Carter E. Foster, and Tina Kukielski,<\/li>\n\n\n\n<li>Whitney Museum in association with Yale Press USA, 2010<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Video Prints from Set, USA, Dec 2003 with an essay by Lawrence Rinder, 56 pages, 36 color plates, Irit Batsry Studio Publication<\/li>\n\n\n\n<li>Hybrid Images: a selection from neither there nor here, USA Dec 2003, 64 pages, 49 color plates, Irit Batsry Studio Publication<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Traces of a Passage, monograph in the collection Chimaera,&nbsp;&nbsp;&nbsp; France April 1994<br>\u2013 Pierre Bongiovanni, \u201cImages, Millenia\u2026\u201d<br>\u2013 Stuart Jones, \u201cLeaving Simple Traces\u201d<br>\u2013 Laurence Kardish, \u201cThe Old Ruin and the New Frontier\u201d<br>\u2013 Uri Lipschitz, \u201cThe Video Art of Irit Batsry :<br>Contradictions and Oppositions\u201d<br>\u2013 Friedemann Malsch, \u201cThe Poetry of the Incompatible\u201d<br>\u2013 Marc Mercier, \u201cAn Anatomical Video\u201d<br>\u2013 Irit Batsry, \u201cabout the strange practice of living with the image\u201d<br>\u201cSeeing Words\u201d,<br>Text of Leaving the Old Ruin<br>Text of Traces of a Presence to Come<br>Text of Animal (Loco)motion and (Dis)placements<br>\u2013 Text of Pliny the Younger as used in Stories from the Old Ruin<br>bilingual : English \u2013 French, 192 Pages, two color inserts ISSN : 1162-1206<br>published by the Centre International de Creation Video, BP 5, 25310 H\u00e9rimoncourt, France<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Buckminster Fuller, Starting with the Universe, Hays and Miller, USA&nbsp; 2008<br>The Comprehensivist:<br>Buckminster Fuller and Contemporary Artists, Elizabeth Smith<br>Whitney Museum in association with Yale Press, ISBN: 978-0-300-12620-4<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cin\u00e9mas Contemporains. Du Film a l\u2019installation,&nbsp; Luc Vancheri, France 2009 Al\u00e9as Editions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Des Mains Modernes,<br>Plastique de la Mutilation: Irit Batsry, Luc Vancheri, France 2009<br>Editions L\u2019Harmattan<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A R&nbsp; T I C L E S (selection)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>LA Times, Chrisptopher knight, Conflict and Intrigue Grow, Irit Batsry at Shoshana Wayne Gallery. USA\u00a0\u00a0\u00a0 March 20\u00a0 2009<\/li>\n\n\n\n<li>New York Times, Roberta Smith, Getting Caravaggio From Video, With Several Hearts of Darkness. Irit Batsry: Set\u00a0 USA\u00a0\u00a0\u00a0 January 9\u00a0\u00a0\u00a0 2003<\/li>\n\n\n\n<li>Le Monde, Irit Batsry: L\u2019art peut-il\u00a0 \u00eatre \u00e9quitable ?, Nicolas Th\u00e9ly\u00a0\u00a0\u00a0 France, Sep. 17 2003<\/li>\n\n\n\n<li>Les Inrockuptibles, Jean-Marie Durand,<\/li>\n\n\n\n<li>\u201cThese Are Not My Images (neither there nor here)\u201d, France, June, 2001<\/li>\n\n\n\n<li>T\u00e9l\u00e9rama,\u00a0 Anne Dessuant, \u201cThese Are Not My Images\u201d, \u00a0\u00a0\u00a0 France\u00a0\u00a0\u00a0 Mai 30\u00a0\u00a0\u00a0 2001<\/li>\n\n\n\n<li>Ars Video, Gabriel Villota, \u201cA Case of Vision: Irit Batsry\u201d, Spain, January, 1992<\/li>\n\n\n\n<li>Women Artist News, Laura Hoptman, NYC\u00a0\u00a0\u00a0 summer, 1988<\/li>\n\n\n\n<li>\u201cTwo Hands Writing and Erasing at the Same Time: The Video Work of Irit Batsry\u201d<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Irit Batsry is an artist working mainly in video and installations. Her work has been shown extensively in 35 different<\/p>\n","protected":false},"author":2,"featured_media":10011,"template":"","meta":[],"person_cat":[98,569,213],"person_tag":[643,619,622,367,369,644,618,623,563,562],"class_list":["post-10013","person","type-person","status-publish","has-post-thumbnail","hentry","person_cat-artist","person_cat-installation-art","person_cat-video","person_tag-2016-en","person_tag-2017-es","person_tag-2017-en","person_tag-367","person_tag-2022-es","person_tag-festival-2016-en","person_tag-festival-2017-es","person_tag-festival-2017-en","person_tag-festival-2022-en","person_tag-festival-2022-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Irit Batsry - PROYECTOR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/proyector.info\/en\/profile\/irit-batsry\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Irit Batsry - PROYECTOR\" \/>\n<meta property=\"og:description\" content=\"Irit Batsry is an artist working mainly in video and installations. 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