{"id":21386,"date":"2026-04-26T15:19:23","date_gmt":"2026-04-26T13:19:23","guid":{"rendered":"https:\/\/proyector.info\/?post_type=movie&#038;p=21386"},"modified":"2026-04-26T15:23:22","modified_gmt":"2026-04-26T13:23:22","slug":"since","status":"publish","type":"movie","link":"https:\/\/proyector.info\/en\/work\/since\/","title":{"rendered":"Since"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Plastic chairs, camera and screen<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">We approach a maze of commonplace objects knowing what we are getting into: the joy of fear of getting lost and equally the opposite. It\u00b4s not that architecture does not exist, it\u2019s a dominant background that carries a foreign, at times unnecessary ordering of present events, one we selfishly include.<br>There is still a sketch of a plan, even if it\u00b4s a measure of insurance in unpredictable situations. It\u00b4s not the plan that is insured. Works are documented for accountability not relatability and words change through usage, interpretation, interaction and representation.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Through exchange we discover: We are just mediating,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">As a collaborative work, Sincere seeks new ground from Pratik Sagar\u00b4s site-specific interactive words and Kush Badhwar\u00b4s screen based work.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Plastic chairs, camera and screen We approach a maze of commonplace objects knowing what we are getting into: the joy<\/p>\n","protected":false},"author":1,"featured_media":21393,"template":"","meta":[],"movie_genre":[239,869],"movie_tag":[847,1157,848],"class_list":["post-21386","movie","type-movie","status-publish","has-post-thumbnail","hentry","movie_genre-video","movie_genre-videocreation","movie_tag-2019-en","movie_tag-curatorships-2019","movie_tag-festival-2019-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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