{"id":18533,"date":"2025-12-04T23:19:03","date_gmt":"2025-12-04T22:19:03","guid":{"rendered":"https:\/\/proyector.info\/work\/always-elsewhere\/"},"modified":"2025-12-04T23:20:57","modified_gmt":"2025-12-04T22:20:57","slug":"always-elsewhere","status":"publish","type":"movie","link":"https:\/\/proyector.info\/en\/work\/always-elsewhere\/","title":{"rendered":"Always Elsewhere"},"content":{"rendered":"\n

\u00abPensar las relaciones entre lo social y lo real en un territorio como Colombia, posibilita la ampliaci\u00f3n de un espectro de visi\u00f3n sobre los fen\u00f3menos socioculturales que entrelazan v\u00ednculos con la vida, y que como posibilidad del estar ah\u00ed, me ha fijado la idea de naci\u00f3n; esta noci\u00f3n de naci\u00f3n ha ido tomando una forma dual entre lo real y lo verdadero. La idea de simulacro remite a este nodo social de lo verdadero, a una HISTORIA com\u00fan y a su fluir en el tiempo.<\/p>\n\n\n\n

Este video enmarca una HISTORIA desde una reflexi\u00f3n temporal de la violencia en Colombia, que desde sus inicios ha sido el hecho socio-pol\u00edtico e hist\u00f3rico m\u00e1s impactante del siglo XX, instaurando un imperio de terror en los campos de Colombia, produciendo una transformaci\u00f3n a su \u201cpaisaje\u201d, convirti\u00e9ndolo en un transmisor de sensaciones, de contenidos simb\u00f3licos y metaf\u00f3ricos, y productor de personajes m\u00edticos como los hombres p\u00e1jaro.\u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00abPensar las relaciones entre lo social y lo real en un territorio como Colombia, posibilita la ampliaci\u00f3n de un espectro<\/p>\n","protected":false},"author":1,"featured_media":18531,"template":"","meta":[],"movie_genre":[869],"movie_tag":[948,949],"class_list":["post-18533","movie","type-movie","status-publish","has-post-thumbnail","hentry","movie_genre-videocreation","movie_tag-2015-en","movie_tag-festival-2015-en"],"yoast_head":"\nAlways Elsewhere - PROYECTOR<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/proyector.info\/en\/work\/always-elsewhere\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Always Elsewhere - PROYECTOR\" \/>\n<meta property=\"og:description\" content=\"\u00abPensar las relaciones entre lo social y lo real en un territorio como Colombia, posibilita la ampliaci\u00f3n de un espectro\" \/>\n<meta property=\"og:url\" content=\"https:\/\/proyector.info\/en\/work\/always-elsewhere\/\" \/>\n<meta property=\"og:site_name\" content=\"PROYECTOR\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/proyectorvideoartfestival\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-12-04T22:20:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/proyector.info\/wp-content\/uploads\/2025\/12\/TARA-MAHAPATRA-ale-Always-Elsewhere-.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"768\" \/>\n\t<meta property=\"og:image:height\" content=\"576\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@PROYECTOR_fest\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/proyector.info\\\/en\\\/work\\\/always-elsewhere\\\/\",\"url\":\"https:\\\/\\\/proyector.info\\\/en\\\/work\\\/always-elsewhere\\\/\",\"name\":\"Always Elsewhere - 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